The Adventurine Posts David Yurman’s First Book Focuses on Cable

A 2014 collage featured in 'David Yurman: Cable' with vintage pictures of Sybil and David Yurman, a sketchbook, cable bracelets, a ring setting and a camera. Photo courtesy

Books

David Yurman’s First Book Focuses on Cable

The backstory of an iconic design

by Marion Fasel

Cover of David Yurman: Cable published by Rizzoli

Cover of ‘David Yurman: Cable’ published by Rizzoli

In 1981, David Yurman began experimenting with wire for jewelry. “I was thinking, what can I do that is really simple using material just for material,” the designer once told me about the birth of his signature design. By 1983, he twisted 52 feet of gold strands into helix-shaped bracelets. “The design comes out of the history of art,” Yurman explained. “I was looking at ancient Egyptian jewelry.” He made the age-old form modern by creating fashionable proportions and adding caps of semiprecious stones. When Yurman finished his first cable bracelets, he looked at them and said, “You have done it.” The cable became Yurman’s signature and over the years it has taken him from being an artist-designer showing his work with his wife and creative partner Sybil at craft fairs to a megabrand name. “The cable has the ability to build on itself,” Yurman told me ages ago. “It is a palette with endless possibilities.”

An image from 'David Yurman: Cable' of Amber Valletta in an ad for the jewelry designer.

An image from ‘David Yurman: Cable’ of Amber Valletta in an ad for the jewelry designer.

The designer’s first book, David Yurman: Cable, published by Rizzoli, is now available and focuses solely on his iconic design. It features gorgeous images of David’s work and drawings. Ad campaigns document the evolution of the motif not to mention the ever growing chic of the brand. Some of the most stunning images feature supermodels Kate Moss, Gisele Bündchen and Amber Valletta. Classical works of art with helix and cable jewels are interspersed throughout the book illustrating the eternality of the form.

An image from 'David Yurman: Cable' of a gouache, watercolor and pencil design from 1993 of a Renaissance cable bracelet with details.

An image from ‘David Yurman: Cable’ of a gouache, watercolor and pencil design from 1993 of a Renaissance cable bracelet with details.

The text includes an introduction by David and Sybil. An essay linking their work to art history by the Director of the Sainsbury Centre for Visual Arts,Paul Greenhalgh. Style writer William Norwich reviews the Yurman’s life story from the craft fairs up to today. Editor Carine Roitfeld muses on the meaning of style and jewelry and how it all works together with the Yurmans.

My favorite part of what is sure to be a popular publication with the legions of Yurman jewelry fans is the old photos of David and Sybil when they were young artists in New York. Over all the years they have been working, and the many I have had the privilege of talking to them about jewelry, they have always maintained a youthful sense of enthusiasm for everything they do. Together they may have built a megabrand but they have the passion of young artists. The energy you can see in those pictures is in the twinkle of both of their eyes to this day when they talk about their jewelry passion projects.

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